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It has been suggested [5] that a sonata by Bernhard Romberg also helped inspire this work. However, given that the Romberg work in question, his Sonata in e minor, op. 38, was originally published as a trio for viola and 2 cellos in 1826 and later arranged as a sonata for cello and piano by Friedrich Gustav Jensen c. 1877, this theory is untenable.
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
The Allegro vivace is a sonata form opening with a fragmented cello theme over a tremolo piano part. [3] Its bipartite exposition somewhat unusually traverses F major, C major, and A minor; [4] Roger Graybill argued that the tonal plan may be read as ultimately returning to F major, given the intricate motivic structure of its voice leading.
Johannes Brahms. Cello sonata No. 1, Op. 38 in E minor (1862–65) Cello sonata No. 2, Op. 99 in F major (1886) Violin sonata No. 1, Op. 78 in G major Rain (1878–79), transcribed for cello by Paul Klengel; Violin Sonata No. 2, Op. 100 in A major (1886), transcribed for cello by Laszlo Varga
The second movement is a rousing scherzo in F ♯ minor, similarly building from a quiet, low-register beginning; this contrasts with the gentle trio in B major (major-mode IV in relation to F ♯ minor). The return of the scherzo builds as before to a turbulent, galloping climax and finishes abruptly with no added coda.
Grammy Award for Best Chamber-Music Performance – Mstislav Rostropovich and Rudolf Serkin for Brahms: Cello Sonata No. 1 in E minor, Op. 38; and Cello Sonata No. 2 in F, Op. 99 ; National Medal of Arts (1988)
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
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