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Other techniques include pouring the glaze over the piece, spraying it onto the piece with an airbrush or similar tool, or applying it directly with a tool such as a brush. Though mostly obsolete, salt glaze pottery is another form of glazing. Dry-dusting a mixture over the surface of the clay body or inserting salt or soda into the kiln at ...
Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing ...
When different coloured glazes are applied to a ceramic surface, the glazes have a tendency to run together during the firing process. In the cuerda seca technique, the water-soluble glazes are separated on the surface by thin lines of a greasy substance to prevent them running out of their delineated areas.
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
Glazing in pottery is the process of applying a coating or layer of material to ceramics that, when fired, forms a vitreous or glass-like surface. Glazes enhance the aesthetic appeal of pottery, provide a waterproof barrier, and improve its durability. Below are the major types of glazing commonly used in pottery: 1. Glossy Glaze - Produces a ...
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In French faience, the in-glaze technique is known as grand feu ("big fire") and the one using enamels as petit feu ("little fire"). [4] Most styles in this group, such as Delftware , mostly used blue and white pottery decoration, but Italian maiolica was fully polychrome, using the range of in- and underglaze colours available.
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