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Genesis 2.0 is a documentary film made by Swiss director and producer Christian Frei [2] and Russian filmmaker Maxim Abugaev. The feature-length film was released in January 2018 in the World Cinema Documentary section at the Sundance Film Festival .
Genesis Live (1973) Selling England by the Pound (1973) The Lamb Lies Down on Broadway (1974) Genesis Archive 1967–75 (1998) – 32 tracks; Turn It On Again: The Hits (1999) – 1 new track "The Carpet Crawlers 1999" August 1975 – October 1977 Tony Banks – keyboards, guitar, backing vocals; Mike Rutherford – bass, guitar, backing vocals
The RMR Genesis is a version of the Genesis Coupe 2.0T with an RMR turbo kit, HKS sequential transmission, K&W coil over suspension, silver and black body colour scheme, RMR wide body kit, functional hood scoop, carbon fiber wing, Enkei racing wheels with Bridgestone Potenza RE-01 tires, Brembo brake calipers, Sparco steering wheel and seats ...
For the facelifted 2013–2014 Genesis Coupe, the engines got upgraded with a new twin-scroll turbocharger, compression ratio is 9.0:1 and the newer version now producing 260–264 PS (191–194 kW; 256–260 hp) at 6,000 rpm and 36 kg⋅m (260 lb⋅ft; 353 N⋅m) of torque between 2,000 and 4,500 rpm on 91 RON/87 octane gasoline, and 275–279 ...
The Smartstream G1.0 T-GDI is a turbocharged inline 3-cylinder engine with gasoline direct injection (GDi); the engine makes 120 PS (118 hp; 88 kW) at 6,000 rpm and 17.5 kg⋅m (127 lb⋅ft; 172 N⋅m) of torque between 1,500 and 4,000 rpm.
Mari Illustrious Makinami (真希波・マリ・イラストリアス, Makinami Mari Irasutoriasu) or Maria Iscariot (イスカリオテのマリア, Isukariote no Maria) is a fictional character in the anime film tetralogy Rebuild of Evangelion, based on the television series Neon Genesis Evangelion and introduced in the film Evangelion: 2.0 You Can (Not) Advance (2009).
Evangelion: 3.0+1.0 Thrice Upon a Time (Japanese: シン・エヴァンゲリオン劇場版:𝄂, Hepburn: Shin [a] Evangerion Gekijōban:𝄂, lit. ' Shin Evangelion Theatrical Edition: 𝄂 ') is a 2021 Japanese animated epic psychological science fiction action film co-directed, written and produced by Hideaki Anno.
In 1997 Japan, Neon Genesis Evangelion was at the center of national debates and became a social phenomenon. It thus attracted to theaters a large number of people intrigued by the controversy surrounding the original ending. The film version also drew the attention of journalists, as well as people who were not normally interested in animation.