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The ode is written in the form of a prayer to Aphrodite, goddess of love, from a speaker who longs for the attentions of an unnamed woman. [19] Its structure follows the three-part structure of ancient Greek hymns, beginning with an invocation, followed by a narrative section, and culminating in a request to the god. [20]
The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. [a] The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult.
In a narrative passage that alludes to the Homeric hymn, Anchises is chatting with a helmsman as they sail. The helmsman observes that Adonis, another mortal desired by Aphrodite, died a virgin, and Anchises recalls Aphrodite's ruse and how she claimed "King Otreus, of Phrygia,/ that king is my father."
The Orphic Hymns are a collection of eighty-seven ancient Greek hymns addressed to various deities, which were attributed to the mythical poet Orpheus in antiquity. They were composed in Asia Minor, most likely around the time of the 2nd or 3rd centuries AD, and were used in the rites of a religious community which existed in the region.
Sappho 2 is a fragment of a poem by the archaic Greek lyric poet Sappho.In antiquity it was part of Book I of the Alexandrian edition of Sappho's poetry. Sixteen lines of the poem survive, preserved on a potsherd discovered in Egypt and first published in 1937 by Medea Norsa.
Aphrodite reveals baby Aeneas to Anchises (1st century AD) The Homeric Hymn to Aphrodite details how Aphrodite seduced Anchises. [8] It begins by describing how only the three virgin goddesses (Athena, Artemis, and Hestia) are immune to Aphrodite's powers. [8] She has made gods and goddesses fall in love with mortals. [8]
The seduction of Anchises by Venus is described in the Homeric Hymn to Aphrodite (Lines 45-199). The inscription GENVS VNDE LATINVM (whence came the Latin race) alludes to their offspring, Aeneas. An erotic print by Agostino (part of his so-called Lascivie series) may have been used as a model for this scene. Jupiter and Ganymede
Competitive singing is depicted vividly in the Homeric Hymn to Apollo and mentioned in the two Hymns to Aphrodite. [9] The latter of these may evidently be taken to belong to Salamis in Cyprus and the festival of the Cyprian Aphrodite, in the same way that the Hymn to Apollo belongs to Delos and the Delian gathering.