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Only Banks, Ford and Mayes remained in the group. L.J. Reynolds left to go solo in 1981 [7] and Larry Demps decided to go into teaching and spend more time with his family, after having joined the group's original line-up in 1964 with Banks. When Ron Banks also decided to try a solo career, the group disbanded for a few years, but re-formed in ...
The song's composition and record production was inspired by the Motown Sound of the 1960s and the lyrics reflected a man's joy over the return of an old lover. The strong response from Motown executives upon hearing the song prompted the label to issue the song as the second single as a possible follow-up hit to "Let's Get It On".
Arranged by [Horns & Strings] – Donald Cooke, George Del Barrio, John Brinson, Larry "L.J." Reynolds, Wayne Henderson; Arranged by [Rhythm] – John Brinson, Larry "L.J." Reynolds, Raymond Johnson, Ron Banks, Rudy (?), Tony Green; Coordinator [Album] – Louella Jackson; Coordinator [Production] – Brian Spears, Cynthia Sissle, Louella Jackson
Joy Ride is the seventh studio album from American R&B group The Dramatics, released in 1976 via ABC Records. [1] The album peaked at #103 on the Billboard 200 and at #11 on the Billboard R&B chart.
The Dramatics featured on the song at Snoop Dogg's request after he contacted Dramatics leader L.J. Reynolds through their longtime bassist Tony Green, who was in Death Row's circle. [ 2 ] Critical reception
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"Dot" is a song by the American punk rock band All, written by singer Scott Reynolds and released as a single and music video from the band's 1992 album Percolater. The single also includes the song "Can't Say", written by bassist Karl Alvarez and drummer Bill Stevenson , and a cover version of " A Boy Named Sue ", a 1969 song written by Shel ...
Reynolds' recording reached the number 5 position on the U.S. Billboard Hot 100 chart on July 7, 1958, sold over one million copies, and inspired a trend of "teen tragedy" songs. [2] The song was reissued in 1979 reaching number 66 on the UK singles chart. [3] Reynolds' recording also went to number 5 on the Most Played R&B By Jockeys chart. [4]