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Funk carioca (Brazilian Portuguese pronunciation: [ˈfɐ̃k(i) kɐɾiˈɔkɐ,-kaɾ-]), also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a Brazilian hip hop-influenced music genre from Rio de Janeiro, taking influences from musical styles such as Miami bass and freestyle.
Funk automotivo is more than just a musical style; it is a cultural manifestation symbolizing the resilience, creativity, and identity of Brazilian peripheral communities. Its evolution and popularity show how the genre continues to adapt and influence popular culture both inside and outside Brazil.
The +2s is a Brazilian band from Rio de Janeiro that composes samba but, at the same time, incorporates the sounds of funk and psychedelia into their music. [1] The music group consists of Moreno Veloso, Domenico Lancelotti, and Alexandre Kassin (who also recorded the music to the anime Michiko & Hatchin). Each of them released a single album ...
He rose to popularity in 2016 thanks to his social media-savvy hit single "Vai Toma" which he recorded with fellow São Paulo native MC Pikachu. Characterized by lean, bright productions with heavy bass, Fioti unleashed a deluge of tracks over the next year with a variety of different collaborators like MC Lan and hip-hop duo, Tribo da Periferia.
Though Brazil lost the quarterfinal to Croatia in the FIFA World Cup, Brazilian Funk carioca music has exploded on TikTok, attracting young and old new fans.
DJ Marlboro's radio show "Big Mix", broadcast since the 80s, has popularised a soft version of the underground funk carioca songs. These soft versions formed a romantic subgenre called melodic funk in Brazil, adding melodies and arrangements to the raw, beat-y funk tunes. Anitta is one of the most important artists of funk melody in Brazil. She ...
Samba rock (also known as samba soul, samba funk, and sambalanço) is a Brazilian dance culture and music genre that fuses samba with rock, soul, and funk.It emerged from the dance parties of São Paulo's lower-class black communities after they had been exposed to rock and roll and African-American music in the late 1950s.
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