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Epic: The Musical (stylized as EPIC) is a nine-part series of concept albums (referred to as "sagas") with music and lyrics by Jorge Rivera-Herrans. A sung-through adaptation of Homer's Odyssey inspired by musical theater, it tells the story of Odysseus as he tries to return from Troy to Ithaca after the ten-year-long Trojan War.
The musical Hadestown, written by American singer-songwriter Anaïs Mitchell and based on her 2010 studio album of the same name, has had two official cast recordings.In addition, various songs from Hadestown were re-recorded by Mitchell for her 2014 studio album Xoa, including the musical's opening number "Anyway the Wind Blows" which had not appeared on the original concept album.
Hadestown is the fourth studio album by American folk singer-songwriter Anaïs Mitchell, and was released by Righteous Babe Records on March 9, 2010. The concept album, which became the basis for the stage musical of the same name, follows a variation on the ancient Greek myth of Orpheus and Eurydice, where Orpheus must embark on a quest to rescue his wife Eurydice from the underworld.
Hadestown is a musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
The last film in the "High School Musical" trilogy, "High School Musical 3: Senior Year," turns 15 on Tuesday, and you know what that means: It's time to revisit — and rank — all 11 songs from ...
Let's Take an Old-Fashioned Walk (Irving Berlin song) Light at the End of the Tunnel (musical number) Light Sings; A Little Closer (Dear Evan Hansen song) Little Girls (Annie song) Little Known Facts; A Little Priest; Lonely Town (On the Town) Lorelei (George Gershwin song) Losing My Mind; Love Changes Everything (song) Love Makes the World Go ...
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Will Hermes of Entertainment Weekly likewise contrasts favorably the two releases, stating "Restored to full scope, this set of chamber blues projects a sweeping panorama, combining epic originals with fractal readings of Skip James, Dvorak, and even "Amazing Grace". A new cornerstone in a towering oeuvre."