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A ghazal (غزل), Arabic for 'love song' and based on the poetic genre of the same name, is a song made up of thematically independent couplets in Farsi or Urdu. The ghazal is found in the majority of qawwali songs, and has been considered an ideal form for the mystical experience because its emphasis on repetition allows a qawwal to reiterate ...
The song is a staple of most Qawwali sessions in North India and Pakistan, especially in the Chishti shrines of Delhi. It is traditionally sung as a closing piece at the end of a Qawwali session. The song is celebratory in tone and holds a prominent place in the landscape of Sufi music. The word "rang" or "rung" literally translates into "color."
For example, the "Allah Hoo" that appears on the Sabri Brothers 1978 album Qawwali: Sufi Music from Pakistan is totally different from the song that became one of Nusrat Fateh Ali Khan's signature qawwalis, and this in turn is totally different from Qawwal Bahauddin's version on the 1991 Shalimar compilation video titled "Tajdar-e-Haram, vol. 2 ...
Sufi music refers to the devotional music of the Sufis, inspired by the works of Sufi poets like Rumi, Hafiz, Bulleh Shah, Amir Khusrow, and Khwaja Ghulam Farid.. Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
Urdu: "تمہیں دل لگی" ... "Tumhe Dillagi" is a ghazal song written by lyricist Purnam Allahabadi and composed by prominent ... Ghazal, Sufi, Indian pop ...
Chhaap Tilak Sab Chheeni, is a Kafi written and composed by Amir Khusro, a 14th-century Sufi mystic, in North Central Indian language Braj Bhasha.Due to the resonance of its melody and mystical lyrics, it is frequently heard in Qawwali concerts across Indian Subcontinent. [1]
Sufi thought first entered the ghazal genre in the Persian language before eventually entering in Urdu as well. [40] In the ghazal, themes of love and union with a lover simultaneously refer to union with the divine in a mystical Islamic tradition. [23] Love for a Sufi is the presence of God, not the presence of physical passion. [40]