Search results
Results from the WOW.Com Content Network
The song tells the story of a Sunday church service. The preacher informs the congregation that their usual organist is ill, and asks for a volunteer to play. A ragged-looking man staggers to the organ. The congregation assumes he is drunk, but he plays a beautiful melody that is more moving than the preacher's sermon.
Memorial plaque in St Michael and All Angels' Church, East Coker. In 1939 T. S. Eliot thought that he would be unable to continue writing poetry. In an attempt to see if he could still, he started copying aspects of Burnt Norton and substituted another place: East Coker, a place that Eliot visited in 1937 with the parish church, where his ashes were later kept. [1]
Christian poetry figured prominently in the Western literary canon from the Antiquity through the 18th century. [34] However, with the progressive secularization of Western Civilization from about 1800 until the present, [35] religious poetry is being less represented in Western academic writing.
When Martin Scorsese was a child growing up in New York City in the 1940s and 50s, he spent a few years serving as an altar boy at the Basilica of St. Patrick’s Old Cathedral, the Catholic ...
Heliand excerpt from the German Historical Museum. The Heliand (/ ˈ h ɛ l i ən d /) is an epic alliterative verse poem in Old Saxon, written in the first half of the 9th century.. The title means "savior" in Old Saxon (cf. German and Dutch Heiland meaning "savior"), and the poem is a Biblical paraphrase that recounts the life of Jesus in the alliterative verse style of a Germanic ep
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
The poems, including "A Song for Simeon", were later published in both the 1936 and 1963 editions of Eliot's collected poems. [2] In 1927, Eliot had converted to Anglo-Catholicism and his poetry, starting with the Ariel Poems (1927–31) and Ash Wednesday (1930), took on a decidedly religious character. [3] "A Song for Simeon" is seen by many ...
The other was in Greek and had no formal resemblance to the later poem written in English. [2] The poem in English is founded on the poetic conceit that the altar has been fashioned from the author's stony heart by the power of Christ and, being so reared, now binds both the poet and his Lord in a lasting relationship. The balanced construction ...