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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The Biwa in History, Its Origins and Development in Japan. Ann Arbor: University of Michigan, 1967. Groemer, Gerald. The Spirit of Tsugaru: Blind Musicians, Tsugaru-jamisen, and the Folk Music of Northern Japan, with the Autobiography of Takahashi Chikuzan. Sterling Heights: Harmonie Park Press, 1999. History of Japanese Traditional Music ...
Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed] Lafcadio Hearn related in his book Kwaidan: Stories and Studies of Strange Things (1903) "Mimi-nashi Hoichi" (Hoichi the Earless), a Japanese ghost story about a blind biwa hōshi who performs "The Tale of the Heike". [7]
English: Types of Biwa, Japanese short-necked fretted lute, often used in narrative storytelling. Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa Left to right: Gagaku-biwa, Chikuzen-biwa, Heike-biwa, Mōsō-biwa, Satsuma-biwa
It is the second largest Awa Dance Festival in Japan, with an average of 188 groups composed of 12,000 dancers, attracting 1.2 million visitors. [11] The Japanese production company Tokyo Story produced a version of Awa Odori in 2015 in Paris by bringing dancers from Japan in order to promote Awa Odori and the Japanese "matsuri" culture abroad.
In conservatoria across the country, even students of traditional instruments were always required to learn the piano. [20] Takemitsu, 1961. From the early 1960s, Takemitsu began to make use of traditional Japanese instruments in his music, and even took up playing the biwa—an instrument he used in his score for the film Seppuku (1962). [2]
Other film soundtracks in which Takemitsu used traditional instruments include Shinoda's Assassination and Masaki Kobayashi's Kwaidan (both 1964). Takemitsu's first concert composition for traditional Japanese musical instruments was Eclipse (1966) for the biwa performer, Kinshi Tsuruta, and the shakuhachi player, Katsuya Yokoyama. [3]
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