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Carving schools balanced producing art for their own people with commercial works, with many of the most successful being Te Arawa (Ngāti Whakaue, Ngāti Pikiao and Ngāti Tarāwhai), located near Rotorua, during the tourism boom to the area in the 1870s, with an increased need for carved works such as the model village at Whakarewarewa, and ...
Large scale stone face carvings were also sometimes created. The introduction of metal tools by Europeans changed some carving styles. [13] [better source needed] There are many well-known carvers who were men but women also carved. [14] In the early 21st century, Pania Waaka is believed to be the first woman to earn a qualification in Māori ...
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The carving was found buried close to the lake's shore in 1906 when a farmer was draining swampland, and spent some time in the R.W. Bourne collection before being acquired by the Te Awamutu Museum. [citation needed] The work was the centrepiece of the Te Maori exhibition which toured North America and New Zealand in the early to mid-1980s. [6]
As a result, today, many Māori have made an attempt to resurge traditional patterns and carvings within mainstream art through programs like the Māori Arts and Crafts Institute. [5] They have made it their mission to preserve traditional toi whakairo, and have opened various programs and classes to pass their traditions to younger generations.
A predominant artform of the Māori people is whakairo, [6] carving, referred to by some as the written language of the Māori. The National Wood Carving school, Te Wānanga Whakairo Rākau o Aotearoa, was opened in 1967 and has since restored and built over 40 whare whakairo around New Zealand.
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A 19th-century carving of a tattooed Maori from kauri gum. The carving is owned and displayed by the Dargaville Museum, New Zealand. Kauri gum is resin from kauri trees (Agathis australis), which historically had several important industrial uses. It can also be used to make crafts such as jewellery.