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Self-Portrait or Self-Portrait with an Architectural Background is a c. 1639 oil on panel self-portrait by Rembrandt, now in the Louvre in Paris. It was bought by the art dealer Alexandre Joseph Paillet in London in 1785 for the collection of Louis XVI .
B22, Self Portrait Drawing at a Window, 1648, 5 states. He is drawing on an etching plate, making this the least posed self-portrait etching. In state iv, a landscape is added outside. [46] The last etching but for two sketches, and one of the "official" etched self-portraits. [33]
Self-portrait: c. 1640: Oil on panel: 72.2 x 58.3: Thyssen-Bornemisza Museum, Madrid: 178: The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself Self-Portrait at the Age of 34: 1640: Oil on canvas: 93 x 80: National Gallery, London: 179
Self-portraits by young people inspired by Rembrandt's work are on display alongside the painting.
Self Portrait of Gianlorenzo Bernini (1630) Gian Lorenzo Bernini: 1630 1692 Self-portrait as a young man: Rembrandt: 1634 1639 3890 Self-portrait (enlarged on all sides) Rembrandt: 1655 1864 Self-portrait: Rembrandt: 1669 1871 Self-portrait: Giovanni Maria Morandi: 1670 1680 1722 Self-portrait: Rosalba Carriera: 1710s 1786 Self-portrait ...
B21, Self-portrait leaning on a Sill, etching, 1639, 2 states. The pose draws on portraits by Titian and Raphael, A Man with a Quilted Sleeve (NG, London) and Portrait of Baldassare Castiglione (Louvre) respectively. [1] Self-Portrait at the Age of 34 is a self-portrait by Rembrandt, dating to 1640 and now in the National Gallery in London.
Self-portrait as a Burger: 1632: Oil on panel: 64.4 x 47.6: Burrell Collection, Glasgow Self-portrait with Gold Chain: 1633: Oil on panel: 61 x 48.1: Musée du Louvre, Paris Self-portrait Wearing a Toque and a Gold Chain: 1633: Oil on panel: 70.4 x 54: Musée du Louvre, Paris Self-portrait as a young man: 1639: Oil paint: Uffizi, Florence Self ...
The current joined ownership is a new arrangement for the Louvre and Rijksmuseum, and it remains to be seen whether this experiment in international art purchasing will fit into exhibition plans of both institutions. Unlike many expensive paintings, these two will not be restricted by location and it is expected that they will be on tour regularly.