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One of Smilansky's research focused on sociodramatic play and its importance on children's learning. She said sociodramatic play is “a form of voluntary social play activity in which preschool children participate”. [10] Sociodramatic play is also considered as dramatic play children engage in at a social setting. [11]
Make believe, also known as pretend play or imaginative play, is a loosely structured form of play that generally includes role-play, object substitution and nonliteral behavior. [1] What separates play from other daily activities is its fun and creative aspect rather than being an action performed for the sake of survival or necessity. [ 2 ]
Stages of play is a theory and classification of children's participation in play developed by Mildred Parten Newhall in her 1929 dissertation. [1] Parten observed American preschool age (ages 2 to 5) children at free play (defined as anything unrelated to survival, production or profit). Parten recognized six different types of play:
Learning through play is a term used in education and psychology to describe how a child can learn to make sense of the world around them. Through play children can develop social and cognitive skills, mature emotionally, and gain the self-confidence required to engage in new experiences and environments.
Play is children using their creativity while developing their imagination, dexterity, and physical, cognitive, and emotional strength. Dramatic play is common in younger children. [28] For youth to benefit from playtime, the following are recommended: [by whom?] Give children ample, unscheduled time to be creative to reflect and decompress. [28]
Sandra Fenichel Asher is an American author and playwright, known most notably for her contributions to the fields of children's theater and literature. [1] She has written over 30 novels and stories, but is most well known for her plays such as A Woman Called Truth and In the Garden of the Selfish Giant.
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