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Louis Joseph Édouard Maubert (30 January 1806 Calais – 30 April 1879 Paris) was a prolific French natural history illustrator, who contributed to botanical books and horticultural journals, working with botanists such as Jean-Louis-Auguste Loiseleur-Deslongchamps, Charles Antoine Lemaire, Charles Henry Dessalines d'Orbigny, Hippolyte François Jaubert and Jean Jules Linden.
Brian Dunlop (1938–2009), Australian still life and figurative painter; Anne Dunn (born 1929), English artist and draftsman; Elizabeth Durack (1915–2000), Australian artist and writer; Asher Brown Durand (1796–1886), American painter; Albrecht Dürer (1471–1528), German painter, print-maker and theorist
The Post-Impressionist painter Vincent van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. Both Théodore Rousseau (1867) and Jean-François Millet (1875) died at Barbizon.
The museum director Gert von der Osten emphasizes that Manet's still life was "painted quite openly impressionist with ingenious accuracy". [ 2 ] Manet's style of painting in this picture was examined in detail by employees of the Wallraf-Richartz-Museum & Fondation Corboud in Cologne in 2008 on the occasion of the exhibition Impressionism: How ...
Charles Lewis (1753–1795) – still life painter; Maria Bell (1755–1825) Prince Hoare the Younger (1755–1834) – painter and dramatist; Philip (or Philippe) Jean (1755–1802) – of Jersey; Thomas Stothard (1755–1834) Henry Bone (1755–1834) William Blake (1757–1827) George William Sartorius (1759–1828) Lemuel Francis Abbott ...
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This sale set a record for Still Life with Japanese Woodcut at $1.4 million, and the work is currently valued at $45 million. [3] During the direction of Mahmoud Shalouithe, the National Gallery of Art in Washington, D.C., and the Tate Modern in London tried to borrow the painting but the requests were rejected. [4]
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.