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A resurgence of Celtic and medieval style Scottish jewellery occurred in the 19th century, [27] as did the popularisation of agate pieces, also known as "pebble jewellery". [28] During this period there was a rise in creation and wear of brooches and bracelets set with Scottish stones due to Queen Victoria's interest in agates, cairngorms ...
Gold lunula from Blessington, Ireland, Late Neolithic/Early Bronze Age, c. 2400BC – 2000BC, Classical group. A gold lunula (pl. gold lunulae) was a distinctive type of late Neolithic, Chalcolithic, and—most often—early Bronze Age necklace, collar, or pectoral shaped like a crescent moon.
The extant Irish examples have silver rather than bronze bases, as well as more decorated pinheads, a wider variety of inlay material such as red gold, amber, enamel, millefiori and glass, and larger terminals which had become the focal point for decoration. [2] Goldsmithing was a prominent craft in prehistoric Irish society.
The Coggalbeg hoard is an Early Bronze Age hoard of three pieces of Irish gold jewellery dating to 2300–2000 BC. [1] It is now in the National Museum of Ireland – Archaeology in Dublin, where it is normally on display.
The jewellery consists of a necklace, three pendants and a fibula (brooch), all made from gold. [2] The fibula is of particular interest because it is decorated with a human head in the style of the La Tène culture, associated with the Celts, showing Celtic or Celtiberian influence on the Iberian societies of the east coast of the peninsula. [3]
The brooch is cast in silver, mounted with gold, silver and amber decoration. c. 700 AD Rear view Detail of pin-head. The Hunterston Brooch is a highly important Celtic brooch of "pseudo-penannular" type found near Hunterston, North Ayrshire, Scotland, in either, according to one account, 1826 by two men from West Kilbride, who were digging drains at the foot of Goldenberry Hill, [1] or in ...
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Gold jewelry (necklaces, bracelets, rings) were worn as symbols of social class and were often of high craftsmanship and artistic quality. Girls of the Hallstatt and early La Tène culture wore amber chains and amulets as individual chains or multiple string colliers; the colliers had up to nine strings and over a hundred amber beads. [80]
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