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Modern attribution of the painting (to an as yet anonymous follower of Bosch) was based on an analysis of the music in the open book, which shows notes of the chanson Toutes les nuictz by Thomas Crecquillon from 1549. [2] The work was bought in 1890 for 400 francs by the Palais des Beaux-Arts de Lille from Morhange, a Parisian art dealer. [1]
Bosch's works are generally organised into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period ...
Musical instruments often carried erotic connotations in works of art of the period, and lust was referred to in moralising sources as the "music of the flesh". There has also been the view that Bosch's use of music here might be a rebuke against traveling minstrels, often thought of as purveyors of bawdy song and verse.
Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed ...
The Temptation of Saint Anthony is an oil-on-oak, single-panel painting by the Early Netherlandish artist Hieronymus Bosch, executed c.1500-1510. [1] The painting features a scene from the life of Saint Anthony in which he was being tempted to sin by demonic spirits. [2] These creatures have symbolic meanings in this work.
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
Concert in the Egg, by follower of Hieronymus Bosch, showing music by Thomas Crecquillon from 1569.. Thomas Crecquillon or Créquillon (c. 1505 – probably early 1557) was a Franco-Flemish school composer of the Renaissance.
Like all Bosch's works, it cannot be dated with precision, although it is likely from his late production (1500–1516). [ 2 ] In 2016, the Bosch Research and Conservation project, after five years of researching all known Bosch paintings, announced that they had significant doubts about the attribution of the work to Bosch, instead attributing ...