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Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
[1] [2] In its orchestral form the song was included in Fauré's incidental music Masques et bergamasques in 1919. [1] The original published version (Hamelle, Paris, 1888) is in B-flat minor. The song is dedicated to Fauré's friend the painter Emmanuel Jadin, who was a talented amateur pianist.
Download as PDF; Printable version; ... and sheet music, as well as other types of work such as monograms and trademarks. ... La Claire de Lune (1904–11) La Robur ...
Passepied had first been composed under the title Pavane, while Clair de lune was originally entitled Promenade sentimentale. These names come from poems by Paul Verlaine. [1] The title of the third movement of Suite bergamasque is taken from Verlaine's poem "Clair de lune", which refers to bergamasks in the opening stanza: [1]
Fauré proposed a story based on the poem "Clair de lune" from the collection Fêtes galantes by Paul Verlaine (1869). Fauré had set the poem to music in 1887. [5] The title of the new work was taken from the opening lines of the poem. [n 1] The librettist of Pénélope, René Fauchois, provided a scenario accordingly.
"Clair de lune" (Debussy), a piano piece by Debussy, third movement of his Suite bergamasque, L. 75 (1905), inspired by the Verlaine poem "Clair de lune" (Fauré), setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Claire de Lune", by Abel Decaux (1907)
In 1903 he moved to Brussels, where he was made chief conductor at the Théâtre de la Monnaie and saw instant success with his ballet Ispahan and several tunes. His wife, Suzy Delsart, was an operetta star (operette divette) and sang the title role of The Merry Widow by Franz Lehár and also influenced her husband into writing lighter and more ...
Claude Debussy's classical piece "Clair de Lune" served as the intro to the album's closing ballad, "Ballerina". The version of "Clair de Lune" on Crystal Ball features only DeYoung on piano, with the key changed from D flat to C, as the next track ("Ballerina") begins in C minor.
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