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Table 1 - Hydraulic Cement – World Leading Producers (million metric tons) [1] Country 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 Brazil 72 70 69 64 59 52 52 46 40 37 38 40 38 40 39 China (PRC) 2,500 2,420 2,210 2,100 1,880 1,630 1,390 1,350 1,200 1,040 934 813 705 627 583 Egypt 50 50 46 44 48 47 40 38 29 29 28 29
Although Van Halen vocalist Sammy Hagar was a financial supporter of President George W. Bush in his 2004 re-election campaign, [23] during the 2004 reunion tour, the band projected the "Right Now" music video, with a few extra modern scenes, on a large screen behind them while they performed the song. Some new modern scenes were, "Right now ...
Category: Cement companies by country. 10 languages. ... This page was last edited on 10 December 2017, at 21:00 (UTC).
The Right Here Right Now Tour was a concert tour by American hard rock band Van Halen in support of their live double album and the accompanying video Live: Right Here, Right Now. Background [ edit ]
"Top of the World" is a song written by the group Van Halen for their 1991 album For Unlawful Carnal Knowledge, released as the second single from the album, and spent four non-consecutive weeks at the top of the Billboard Album Rock Tracks chart in the U.S., becoming their eighth number one on this chart.
Tokyo Dome Live in Concert is a live album by American rock band Van Halen, released on March 31, 2015.It is their first live album with original lead vocalist David Lee Roth and second live album overall after 1993's Live: Right Here, Right Now.
Live: Right Here, Right Now. is the first live album by American rock band Van Halen, released in 1993. It is the band's only live album featuring Sammy Hagar and the only live album by Van Halen until the release of Tokyo Dome Live in Concert in 2015.
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [3]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."