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Clapping Music is a minimalist piece written by American composer Steve Reich in 1972. It is written for two performers and is performed entirely by clapping. After a concert in Brussels during their 1972 tour of Europe, Reich and his ensemble went to a club to see a performance by two flamenco musicians on the promoter's advice. By Reich's ...
Stephen Michael Reich (/ r aɪ ʃ / RYSHE; [1] [2] better-known as Steve Reich, born October 3, 1936) is an American composer best known as a pioneer of minimal music in the mid to late 1960s. [ 3 ] [ 4 ] [ 5 ] Reich's work is marked by its use of repetitive figures , slow harmonic rhythm , and canons .
The first is the discovery of using simple but flexible harmonic material, which produces remarkable musical results when phasing occurs. [4] The use of 12-note or 12-division patterns in Piano Phase proved to be successful, and Reich would re-use it in Clapping Music and Music for 18 Musicians. Another novelty is the appearance of rhythmic ...
Phasing music is most closely associated with composer Steve Reich. In 1965, influenced by Terry Riley's use of tape looping and delay, the American composer Steve Reich started experimenting with looping techniques and accidentally discovered the potential of gradual phase shifting as a compositional resource.
Secondly, the musical setting of lengthy 3-4 line texts results in the composition of extended melodies at that point atypical for Reich. "Though an entire melody may be repeated either as the subject of a canon or variation, this is actually closer to what one finds throughout the history of Western music". [ 4 ]
Music for 18 Musicians is a minimalist album by composer Steve Reich recorded between April–December 1976 and released on the ECM New Series in April 1978—his first of three releases for the label. The ensemble features eighteen musicians, including Reich himself playing the part of piano and marimba, playing Reich's titular composition. [1 ...
The composer regarded this as a perfectly ordinary option, while pointing out "whether there are eight, nine, or ten performers, the piece is always musically an octet" (Reich 2002, 98). In 1985 New York City Ballet 's balletmaster Jerome Robbins made an eponymous ballet to this music ( Kisselgoff 1985 ).
— Steve Reich [1] Around 1964, influenced by his work with Terry Riley on In C and the latter's use of tape looping and delay systems, Reich started experimenting with these techniques as well. Up until January 1968, the full title of It’s Gonna Rain was It's Gonna Rain, or meet Brother Walter in Union Square after listening to Terry Riley .