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Bill keeps herself grounded in reality by imagining that she is talking with her long-dead mother, based on pictures the Doctor gave her. Nardole, who survived the bacteria due to his alien physiology and is also aware of the truth, locates Bill and helps her to find the prison hulk where the Doctor is thought to be a captive. Inside, after a ...
The Doctor's TARDIS always resembles a 1960s London police box, an object that was very common in Britain at the time of the show's first broadcast. [9] Owing to a malfunction in the chameleon circuit after the events of the first episode of the show, An Unearthly Child, the Doctor's TARDIS is stuck in the same disguise for a long period.
The Doctor temporarily despairs following an epiphany: the prison was made solely for him, and thus the skulls were his own and he has been in the castle for 7000 years. Revitalised by a vision of his dead companion, Clara, the Doctor punches the wall while reciting the fable. The figure mortally injures the Doctor, disabling his regeneration ...
Taking advantage of his neurosis, the two Doctors escape back to the TARDIS with all of the abductees. With the First Doctor, the two devise a way to defeat Omega, and also discover the Second Doctor's previously-lost recorder within the TARDIS' force field generator. The two meet with Omega again, claiming they can give him his freedom.
This is an alternate universe in which the Third Doctor died in a Silurian prison and was not able to prevent the Silurian plague from devastating the human race. The Doctor recognizes that this universe is draining energy from the real one, and creates a Time Ram with his counterpart's TARDIS and his own, to destroy the altered reality; his ...
The Doctor, Amy and Rory soon find the TARDIS has also disappeared, and the Doctor warns them from opening any door they are drawn to, for fear of being possessed. Joe, Howie and Rita — humans that have been taken out of their routine lives by this prison's automated systems to feed the creature — are possessed by the creature and killed.
"Death in Heaven" is the twelfth and final episode of the eighth series of the British science fiction television programme Doctor Who. It was first broadcast on BBC One on 8 November 2014. The episode was written by showrunner Steven Moffat and directed by Rachel Talalay .
In contrast Emily Capettini praised the reinvented dynamic between The TARDIS and The Doctor and The TARDIS' elevated status as an equal to The Doctor in her essay, "A boy and his box, off to see the universe": Madness, Power and Sex in "The Doctor's Wife". [38] The episode won the 2011 Bradbury Award for Outstanding Dramatic Presentation. [39]