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The Cotton Pickers is an 1876 oil painting by the American artist Winslow Homer. [1] It depicts two young African-American women in a cotton field.. Stately, silent and with barely a flicker of sadness on their faces, the two black women in the painting are unmistakable in their disillusionment: they picked cotton before the war and they are still picking cotton afterward.
The first harvesters were only capable of harvesting one row of cotton at a time, but were still able to replace up to forty hand laborers. The current cotton picker is a self-propelled machine that removes cotton lint and seed (seed-cotton) from the plant at up to six rows at a time. There are two types of pickers in use today.
Woolgathering is a practice similar to gleaning, but for wool. The practice was of collecting bits of wool that had gotten caught on bushes and fences or fallen on the ground as sheep passed by. The meandering perambulations of a woolgatherer give rise to the idiomatic sense of the word as meaning aimless wandering of the mind. [36]
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Until mechanical cotton pickers were developed, cotton farmers needed additional labor to hand-pick cotton. Picking cotton was a source of income for families across the South. Rural and small town school systems had split vacations so children could work in the fields during "cotton-picking." [57]
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Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."