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The movement was strongly linked with the fashion for national and international competitions and awards in the period, with the World's fairs the largest. America's first of these was the Centennial Exposition in Philadelphia in 1876, which "was a critical catalyst for the development of the American Art Pottery movement", both because American commercial potteries exerted themselves to ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Ancient Greek: μελανόμορφα, romanized: melanómorpha), is one of the styles of painting on antique Greek vases.
Pilkington's Lancastrian Pottery & Tiles was a manufacturer of tiles, vases and bowls, based in Clifton near Pendlebury, Lancashire, England. The company was established in 1892 at Clifton Junction, alongside Fletcher's Canal. The company employed talented designers, the most famous of whom was Charles Voysey.
At the Century of Progress Exposition in 1934 in Chicago, Haeger Potteries' exhibit included a working ceramic factory where souvenir pottery was made. [ 1 ] In 1934, Royal Arden Hickman (1893–1969) joined the firm to design a line of artware sold under the brand name "Royal Haeger". [ 2 ]
Pottery was decorated with abstract geometric patterns and ornaments, especially in the Halaf culture, also known for its clay fertility figurines, painted with lines. Clay was all around and the main material; often modelled figures were painted with black decoration. Carefully crafted and dyed pots, especially jugs and bowls, were traded.
Geometric art in Greek pottery was contiguous with the late Dark Age and early Archaic Greece, which saw the rise of the Orientalizing period. The pottery produced in Archaic and Classical Greece included at first black-figure pottery, yet other styles emerged such as red-figure pottery and the white ground technique.
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