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Caesura. A caesura (/ sɪˈzjʊərə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick ( ), or two lines, either slashed (//) or upright (||). In time value, this break may vary ...
Alliteration is the repetition of syllable -initial consonant sounds between nearby words, or of syllable-initial vowels, if the syllables in question do not start with a consonant. [1] It is often used as a literary device. A common example is " P eter P iper p icked a p eck of p ickled p e pp ers," in which the "p" sound is repeated.
Alliterative verse. The Old English epic poem Beowulf is written in alliterative verse. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1] The most commonly studied traditions of alliterative verse are ...
8. " Music, When Soft Voices Die " is a major poem by Percy Bysshe Shelley, written in 1821 and first published in Posthumous Poems of Percy Bysshe Shelley in 1824 in London by John and Henry L. Hunt with a preface by Mary Shelley. [1] The poem is one of the most anthologised, influential, and well-known of Shelley's works. [2][3]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Alliteration is the repetition of letters or letter-sounds at the beginning of two or more words immediately succeeding each other, or at short intervals; or the recurrence of the same letter in accented parts of words. Alliteration and assonance played a key role in structuring early Germanic, Norse and Old English forms of poetry.
Note the use of slurs by the composer to indicate the intended phrasing. Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of ...
Literary consonance. For musical consonance, see Consonance and dissonance. Consonance is a form of rhyme involving the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g., co m ing ho m e, ho t foo t). [ 1 ] Consonance may be regarded as the counterpart to the vowel-sound repetition known ...