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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the ... L.I.T. 2011 pgs. 80-98 ISBN 978-3-8258-0761-0 English only; ...
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
Beuys' 7000 Oaks work is an example of the thread that links the Situationist International's approach to art and its re-creation by new groups continues to evolve through a new generation of socially conscious organizations that merge art, education, and environmental issues in their work.
Lee Bul (born 1964), sculpture, installation and conceptual artist; Marc Lee (born 1969), installation, new media and conceptual artist; Zoe Leonard (born 1961), photographer and visual artist; Mark Lewis (born 1958), installation and film artist; Peter Wayne Lewis (born 1953), painter; Sol LeWitt (1928–2007), installation and conceptual artist
Christopher Robbins is an American artist that focuses his art practice in the realm of public art and social sculpture. Robbins works internationally, using physical and conversational processes to create interactions between strangers in order to build community and problem-solve.
In 1980 shortly after moving to New York City from Chicago, Bidlo participated in Colab's Times Square Show and in 1982 Bidlo was awarded a studio at the PS1 Museum where he staged Jack the Dripper at Peg's Place, [2] an installation rendering his vision of Peggy Guggenheim's Beekman Place townhouse, with the fireplace famously used by Pollock as a pissoir.
Project Row Houses' mission is " to be the catalyst for transforming community through the celebration of art and African-American history and culture." [7] Employing the terminology of the German artist Joseph Beuys, Lowe describes the project as "social sculpture."
Dying Gaul, or The Capitoline Gaul, [1] a Roman marble copy of a Hellenistic work of the late 3rd century BCE, Capitoline Museums, Rome Assyrian lamassu gate guardian from Khorsabad, c. 800 –721 BCE Michelangelo's Moses, (c. 1513–1515), San Pietro in Vincoli, Rome, for the tomb of Pope Julius II Netsuke of tigress with two cubs, mid-19th-century Japan, ivory with shell inlay The Angel of ...