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Founded in 1989, [1] by members of Alexander Calder's family in collaboration with the Centre national des arts plastiques (CNAP), the Atelier Calder residency program offers artists the residencies to create new work and projects in Calder's studio and home in Saché, France.
Alexander Calder and four other artists were invited to submit proposals. Calder was approached through his dealer, Klaus Perls , on July 29, 1975, just after his 77th birthday. A sketch and a model for Mountains and Clouds were submitted by November and, in April 1976, Calder's innovative design was accepted.
Jeune fille et sa suite (Young Woman and Her Suitors), 1970, Detroit Institute of Arts [3] The X and Its Tails, 1967, College of Creative Studies, Detroit [3]; Deux Disques (Two Discs), 1965, Frederik Meijer Gardens & Sculpture Park (Long-term loan from Smithsonian Institution), Grand Rapids
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
After this, Calder created complete pieces only using wire and in 1927 had a show of wire sculptures at the Weyhe Gallery in New York City. In 1930, he had a solo show of wire sculptures in Paris, at Galerie Billiet. Calder’s wire sculptures of this period tended to be portraits, caricatures, and stylized representations of people and animals.
The most well-known modern example is a sculpture designed by the American artist Alexander Calder, commissioned by the Spanish Republican government for the 1937 World Exhibition in Paris. The artwork is a memorial to the siege of Almadén by General Franco 's troops; at the time, the region supplied 60 percent of the world's mercury.
Flamingo weighs 50 tons, is composed of steel, and is vermilion in color. Calder gave the stabile its color, which has come to be called "Calder red", [5] to offset it from the black and steel surroundings of nearby office buildings, including the Ludwig Mies van der Rohe-designed Kluczynski Federal Building.
Like many of Calder's public sculptures, it was painted red. The large work, 25 feet (7.6 m) high, was first installed near the entrance to WTC1 (the North Tower). It was moved in 1970 to a plaza in front of 7 World Trade Center , on the northeast corner of the Austin J. Tobin Plaza by Vesey Street and Church Street .