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The Women of Amphissa is an oil on canvas painting by Sir Lawrence Alma-Tadema, made in 1887. It is held at the Clark Art Institute , in Williamstown . It depicts a group of maenads waking up in the market of Amphissa , after a night of debauchery.
The women of Amphissa formed a protective ring around them and when they awoke arranged for them to return home unmolested. The Women of Amphissa by Lawrence Alma-Tadema On another occasion, the Thyiades were snowed in on Parnassos and it was necessary to send a rescue party.
Laura Theresa, Lady Alma-Tadema (née Epps; 16 April 1852 – 15 August 1909) was a British painter specialising in domestic and genre scenes of women and children. Eighteen of her paintings were exhibited at the Royal Academy .
Pages in category "Paintings in the Clark Art Institute" ... The Women of Amphissa This page was last edited on 2 April 2023, at 18:31 (UTC). Text ...
Anna Alma-Tadema was described by biographer Helen Zimmern as a "delicate, dainty artist who has inherited so much of her father's power for reproducing detail." [6] During her time as an artist, Anna Alma-Tadema created several portraits, representations of flowers, [7] as well as watercolor depictions of house interiors and buildings. [8]
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In Greek mythology, Amphissa (Ancient Greek: Ἄμφισσα) or simply, Issa (/ˈiːsɑː/; Ἴσσα) was the daughter of Macareus and a lover of Apollo. She was the eponym of the city Amphissa in Ozolian Locris , [ 1 ] [ 2 ] where her memory was perpetuated by a splendid monument.
A dedication to Bacchus, Lawrence Alma-Tadema, Oil on Canvas, 1889, which featured on the cover of Barrow's book on the artist. Rosemary Julia Barrow (9 April 1968 – 21 September 2016) was a Welsh art historian who specialised in classical themes in Victorian art and the painting of Lawrence Alma-Tadema in particular, whose reputation she attempted to restore.