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Triple-pulse son clave is the least common form of clave used in Cuban music. It is, however, found across an enormously vast area of sub-Saharan Africa. The first published example (1920) of this pattern identified it as a hand-clap part accompanying a song from Mozambique. [51]
Pair of claves. The most fundamental rhythmic element in salsa music is a pattern and concept known as clave.Clave is a Spanish word meaning 'code,' 'key,' as in key to a mystery or puzzle, or 'keystone,' the wedge-shaped stone in the center of an arch that ties the other stones together. [2]
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [36] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it. It also opened ...
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
The clave rhythmic pattern is used as a tool for temporal organization in Afro-Cuban music, such as rumba, conga de comparsa, son, mambo (music), salsa, Latin jazz, songo and timba. The five-stroke clave pattern (distributed in groups of 3 + 2 or 2 + 3 beats) represents the structural core of many Afro-Cuban rhythms. [99]
This is a list of old salsa music and son cubano vocalists, as well as clave (rhythm) related styles, like guaracha, guagancó, mambo, cha cha cha, bomba.
Pattern 1 is son clave, usually played on wooden claves. Pattern 2 is the baqueteo, the key pattern used in danzón and the first expression of clave in written music. The baqueteo consists of the son clave strokes, plus four additional strokes. Not technically a bell pattern, the baqueteo is played on the güiro and on the heads of the ...
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; August 31, 1911 – December 30, 1970) [2] [3] was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles.