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"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame.
The strike, spearheaded by Betty Friedan, self-stated three primary goals: free abortion on demand, equal opportunity in the workforce, and free childcare. [3] The strike also advocated for other second wave feminist goals more generally, such as political rights for women, and social equality in relationships such as marriage.
Several songs were written in response to the Seneca Falls Convention, including "Women's Rights Convention Waltz," arranged by Julia F. Baker and "Woman's Rights, a Right Good Ballad," by Kate Horn. [9] [10] Baker's song is more supportive of a change in women's rights, while Horn's work emphasizes traditional values. [10]
Bob Dylan songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the civil rights and anti-war movements in the 1960s.. A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events).
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
A much shorter, two-hour version, called Get Up, Stand Up: The Story of Pop and Protest, aired on PBS in September 2005, hosted and narrated by co-founder of Public Enemy Chuck D. [2] The PBS version focuses mainly on the American history of protest songs. The title is borrowed from the reggae protest song Get Up, Stand Up by Bob Marley and ...
Huerta's and Chávez' lasting lesson. Huerta has advocated for civil rights, labor and women for more than 60 years. And in 2012, President Barack Obama honored her with the country’s highest ...