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The Ten Commandments of Computer Ethics were created in 1992 by the Washington, D.C.–based Computer Ethics Institute. [1] The commandments were introduced in the paper "In Pursuit of a 'Ten Commandments' for Computer Ethics" by Ramon C. Barquin as a means to create "a set of standards to guide and instruct people in the ethical use of computers."
A trio of computer-generated holograms pop up outside the bus: the Whispering Squash (Phil Austin), the Lonesome Beet (David Ossman), and Artie Choke (Peter Bergman), singing "We're back from the shadows again" to the tune of Gene Autry's "Back in the Saddle Again". They encourage the onlookers to attend the fair, which the Beet describes as ...
A computer desktop, with various folders and files visible The computer interface is a conceptual metaphor of a writing desk. In computing , the desktop metaphor is an interface metaphor which is a set of unifying concepts used by graphical user interfaces to help users interact more easily with the computer. [ 1 ]
When fictional television anchor Howard Beale leaned out of the window, chanting, "I'm mad as hell, and I'm not going to take it anymore!" in the 1976 movie 'Network,' he struck a chord with ...
Hugh was known for using expressive words such as "airfort", "Linux children" and "Republicrats". Some of his more famous quotes: "When you're NAT on the net, you're NOT on the net" "Beam me up, Scotty; there's no intelligent life here" "Get me off this planet!" "I'll be wearing a red shirt; you won't miss me"
The term was coined by Erik Brynjolfsson in a 1993 paper ("The Productivity Paradox of IT") [1] inspired by a quip by Nobel Laureate Robert Solow "You can see the computer age everywhere but in the productivity statistics." [2] For this reason, it is also sometimes also referred to as the Solow paradox.
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Book cover of the 1979 paperback edition. Hubert Dreyfus was a critic of artificial intelligence research. In a series of papers and books, including Alchemy and AI, What Computers Can't Do (1972; 1979; 1992) and Mind over Machine, he presented a pessimistic assessment of AI's progress and a critique of the philosophical foundations of the field.