Search results
Results from the WOW.Com Content Network
Between 1967 and 1972, he created "photokinetic objects", which were exhibited in the Stedelijk Museum in Amsterdam in 1971 and in the Gemeentemuseum The Hague in 1972. De grafische methode tractor was created in 1976 and De grafische methode fiets in 1979, two pieces based on the work of film pioneer Etienne-Jules Marey.
The Stedelijk Museum, Amsterdam, opened on 14 September 1895 as an initiative of the local authority and private individuals. The Dutch Neo-Renaissance style museum building was designed by Dutch architect Adriaan Willem Weissman [ arz ; de ; nl ] as part of a modernization project spearheaded by local citizens starting in 1850.
She explained her approach in the catalogue for the exhibition Tekst in geluid (Text in sound) at the Stedelijk Museum, Amsterdam, in 1977. [14] The main feature of these tape pieces is the use of speech as a basic element. Contrary to the traditional way of ‘setting words to music', in ‘lingual music’ speech ‘emerges as music’.
Mary Hildegard Ruth Bauermeister (7 September 1934 – 2 March 2023) was a German artist who worked in sculpture, drawing, installation, performance, and music. Influenced by Fluxus artists and Nouveau Réalisme, her work addresses esoteric issues of how information is transferable through society.
Stedelijk Museum, Amsterdam 1970. One word! Aspects of visual poetry and music. Gutenberg Museum/Edition Braus, Mainz 1987, ISBN 978-3-921524-64-0. Michael Glasmeier (Ed.): Literally literally, literally literally. State Museums of Prussian Cultural Heritage, Berlin 1987, ISBN 978-3-88609-209-3. Beyond words. Experimental poetry and the avant ...
In 1972, Saunders became artist-in-residence at Stedelijk Museum Amsterdam, where he studied the works of Piet Mondrian. [2] Between 1970 and 1980 Saunders was a visiting lecturer at the Slade School of Fine Art, London University, which he combined with teaching painting, photography and playing music at Liverpool Polytechnic Art School [1]
The director of the Stedelijk Museum Amsterdam (Municipal Museum of Amsterdam), Willem Sandberg, was very supportive of young artists and fully supported the CoBrA group by giving them seven large rooms to exhibit their work in. Most of the CoBrA works had been fairly small due to their lack of money and so Sandberg gave the artists an advance ...
Head worked on exhibition layout at the Stedelijk Museum Amsterdam in summer 1967, for Niki de Saint Phalle. [2] [8] The following year he went to New York City, where he worked as a summer assistant to Claes Oldenburg. [3] He met Robert Smithson, Richard Serra, Eva Hesse, Sol LeWitt, John Cale and others.