Search results
Results from the WOW.Com Content Network
Robert Francis (August 12, 1901 – July 13, 1987) was an American poet who lived most of his life in Amherst, Massachusetts.. His 1953 poem, “The Pitcher”, is a classic work among coaches, athletes, baseball players—and pitchers and artists.
Longfellow wrote the poem in 1875. It was included in an anthology he edited titled Poems of Places in 1877 and also republished after his death in Through Italy with the Poets in 1908. [1] According to scholar William Charvat, the poem is like many of Longfellow's later writings in that it touches upon the poet's struggle with fame.
The Christ myth theory, also known as the Jesus myth theory, Jesus mythicism, or the Jesus ahistoricity theory, [1] [q 1] is the view that the story of Jesus is a work of mythology with no historical substance. [q 2] Alternatively, in terms given by Bart Ehrman paraphrasing Earl Doherty, it is the view that "the historical Jesus did not exist.
These included poems about the Real Presence in the Blessed Sacrament, a poem that sympathetically describes St. Joseph's crisis of faith, about the traumatic but purgatorial sense of loss experienced by St. Mary Magdalen after the Crucifixion of Jesus Christ, and about attending the Tridentine Mass on Christmas Day. [38]
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
This poem reworks verses extracted from the work of Virgil to tell stories from the Old and New Testament of the Christian Bible. Much of the work focuses on the story of Jesus Christ. While scholars have proposed a number of hypotheses to explain why the poem was written, a definitive answer to this question remains elusive.
The Roman emperor Constantine the Great was one of the first major figures to believe that Eclogue 4 was a pre-Christian augury concerning Jesus Christ. [9]According to Classicist Domenico Comparetti, in the early Christian era, "A certain theological doctrine, supported by various passages of [Judeo-Christian] scripture, induced men to look for prophets of Christ among the Gentiles". [10]
It depicts the nativity of Jesus, with saints Francis of Assisi and Lawrence among other figures surrounding Mary and the newborn Jesus. [3] [2] The painting is about 2.7 metres high and two metres wide. [4] On the night of 17–18 October 1969, [5] two thieves stole the painting from its home in the Oratory of Saint Lawrence in Palermo. [4]