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Petrykivka painting (or simply "Petrykivka"; Ukrainian: Петриківський розпис) is a traditional Ukrainian decorative painting style, originating from the village of Petrykivka in Dnipropetrovsk oblast of Ukraine, where it was traditionally used to decorate house walls and everyday household items.
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
During the Greek Dark Age, spanning the 11th to 8th centuries BC, the prevalent early style was that of the protogeometric art, predominantly using circular and wavy decorative patterns. This was succeeded in mainland Greece , the Aegean , Anatolia , and Italy by the style of pottery known as geometric art , which employed neat rows of ...
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
A cup, 65 mm high, made at Aswan, Egypt, in the 1st–2nd century AD, and decorated with barbotine patterns. Some of the shapes of Arretine plain wares were quite closely copied in the later 1st century BC and early 1st century AD in a class of pottery made in north-east Gaul and known as Gallo-Belgic ware. [15]
Apulian vase painting was a regional style of South Italian vase painting from ancient Apulia in southeast Italy. It comprises geometric pottery and red-figure pottery . The legitimate Iron Age sequel to the Neolithic and Bronze Age culture of Matera and Molfetta has not yet been discovered and the pre-history of Daunia , Peucetia and Messapia ...
The finest achievements came in the Middle Minoan period, with the palace pottery called Kamares ware, and the Late Minoan all-over patterned "Marine Style" and "Floral Style". These were widely exported around the Aegean civilizations and sometimes beyond, and are the high points of the Minoan pottery tradition.
Working up the clay, in an image in a tomb in Beni Hasan from the Middle Kingdom (Tomb of Baket III.) Kneading the clay, Beni Hasan (Tomb of Baket III) Egyptian tomb paintings often show the preparation of the clay. There are also models which provide some other details. Clear archaeological remains of pottery workshops, however, are rare.
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