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In Russian churches, the nave is typically separated from the sanctuary by an iconostasis (Russian ikonostas, иконостас), or icon-screen, a wall of icons with double doors in the centre. Russians sometimes speak of an icon as having been "written", because in the Russian language (like Greek, but unlike English) the same word ( pisat ...
Icons of Novgorod and Belozersk: The Cloud Dormition c. 1200 Monastery of the Tithes, Novgorod: State Tretyakov Gallery: Our Lady of the Sign // Saint Juliana: Zverin Monastery, Novgorod: Pavel Korin's collection at the Tretyakov Gallery: Eleusa of Staraya Russa: Staraya Russa: State Russian Museum: Theotokos of Belozersk c. 1220 Belozersk ...
The Angel with Golden Hair (Russian: Ангел Златые Власы, romanized: Angel Zlatye Vlasy), [1] also known as the Archangel Gabriel (Russian: Архангел Гавриил), [2] is a tempera icon by an unknown Russian artist, painted in the second half of the 12th century. It is displayed in the Russian Museum in Saint Petersburg.
A 15th-century icon of St. George from Novgorod, now in the collection of the Russian Museum. Among the collections of the Russian Museum in Saint Petersburg in Russia are some of the greatest pieces of Russian art in the world. The Museum houses collections of sculpture, objets d'art, drawings and paintings including the famous picture gallery.
Pages in category "Russian icons" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. ...
Znа́meniye (Russian: Зна́мение) or Our Lady of the Sign is an icon in the orans style, dated at the first half of the 12th century. The icon was painted in medieval Novgorod. It is one of the most revered icons of the Russian Orthodox Church and the main holy of Russian North-West. [1]
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Russian scholar Alexander Boguslavsky claims that the lubok style "is a combination of Russian icon and manuscript painting traditions with the ideas and topics of western European woodcuts". [7] Typically, the lubok's artist would include minimal text that was supplementary to the larger illustration that would cover the majority of the engraving.