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In Russian churches, the nave is typically separated from the sanctuary by an iconostasis (Russian ikonostas, иконостас), or icon-screen, a wall of icons with double doors in the centre. Russians sometimes speak of an icon as having been "written", because in the Russian language (like Greek, but unlike English) the same word ( pisat ...
Icons of Novgorod and Belozersk: The Cloud Dormition c. 1200 Monastery of the Tithes, Novgorod: State Tretyakov Gallery: Our Lady of the Sign // Saint Juliana: Zverin Monastery, Novgorod: Pavel Korin's collection at the Tretyakov Gallery: Eleusa of Staraya Russa: Staraya Russa: State Russian Museum: Theotokos of Belozersk c. 1220 Belozersk ...
The Icon Museum and Study Center is a non-profit art museum (formerly the Museum of Russian Icons) located in Clinton, Massachusetts, United States.The collection includes more than 1,000 Russian icons and related artifacts, making it one of the largest private collections of Russian icons outside of Russia and the largest in North America.
Pages in category "Russian icons" The following 20 pages are in this category, out of 20 total. This list may not reflect recent changes. ...
The gallery also specializes in European and American antique jewelry, 18th-century European gold snuff boxes, and antique Russian decorative arts, including silver, enamel, and porcelain, as well as Russian paintings, icons, and furniture. In 1961, A La Vieille Russie moved down the block to 59th Street and remained there for 56 years.
Znа́meniye (Russian: Зна́мение) or Our Lady of the Sign is an icon in the orans style, dated at the first half of the 12th century. The icon was painted in medieval Novgorod. It is one of the most revered icons of the Russian Orthodox Church and the main holy of Russian North-West. [1]
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Icon representing Christ's Harrowing of Hell, from the Ferapontov Monastery. Dionisius (Russian: Диони́сий, romanized: Dionisy; c. 1440 – 1503/1508) [1] [2] was a Russian icon painter who was one of the most important representatives of the Moscow school of icon painting at the turn of the 15th and 16th centuries. [1]