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List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Snow at Argenteuil (French: Rue sous la neige, Argenteuil) is an oil-on-canvas landscape painting by the Impressionist artist Claude Monet.It is the largest of no fewer than eighteen works Monet painted of his home commune of Argenteuil while it was under a blanket of snow during the winter of 1874–1875.
Oscar-Claude Monet (UK: / ˈ m ɒ n eɪ /, US: / m oʊ ˈ n eɪ, m ə ˈ-/; French: [klod mɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. [1]
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Considering Impression, Sunrise and Monet's work following the 1874 exhibition, Duret wrote "it is certainly the peculiar qualities of Claude Monet's paintings which first suggested [the term impressionism]". Claiming that "Monet is the Impressionist painter par excellence", Duret argued that Monet inspired a new way of seeing and painting ...
In the 1870s, Monet rented a studio not far from the Gare Saint-Lazare and gained permission from the director of the Compagnie des Chemins de fer de l'Ouest to paint from the station concourse and beside the track. [3] Painting on site, Monet had to deal with the incoming and outgoing trains and crowds of passengers.
Monet settled in Giverny in 1883. Most of his paintings from 1883 until his death 40 years later were of scenes within 3 kilometres (2 mi) of his home and gardens.Monet was intensely aware of and fascinated by the visual nuances of the region's landscape and by the endless variations in the days and in the seasons—the stacks were just outside his door.
Claude Monet, Boulevard des Capucines, (detail showing the blurred figures) Monet’s use of high vantage point perspective and loose brushstrokes were representative of a style he began using in the late 1860s. [11] High vantage points generally decrease the amount of sky available in the painting by forcing the horizon line upwards.