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In the German-speaking space, multiple Rococo churches and libraries with pastel polychrome stuccos and columns were built. There, faux marble columns are made from wood pillars that are covered in a layer of polychrome stucco, a mixture of plaster, lime, and pigment. When these ingredients are mixed, a homogenous-coloured paste is created.
Two decorative Corinthian pilasters in the Church of Saint-Sulpice (Paris). In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall.
Jessica Powers' chapter primarily discusses the Casa Degli Amorini Dorati in Pompeii, where 18 wall ornaments were found, the most of any Pompeiian home. Interior wall ornament in a Pompeian home would typically divide the wall into three or more sections under which there would be a dado taking up roughly one-sixth of the height of the wall. [7]
Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]
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Engaged columns embedded in a side wall of the cella of the Maison Carrée, Nîmes, France, unknown architect, 2nd century. An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load.
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