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"The Equal-Rights Banner" An American anthem for women's voting rights, the lyrics were written by Reverend C. C. Harrah, sung to the tune of "The Star-Spangled Banner". The second verse mentions the evil of "License", referring to alcohol abuse by men, a central issue for women in the Temperance movement. [1] 1891 (text) c.1890s (music)
Several songs were written in response to the Seneca Falls Convention, including "Women's Rights Convention Waltz," arranged by Julia F. Baker and "Woman's Rights, a Right Good Ballad," by Kate Horn. [9] [10] Baker's song is more supportive of a change in women's rights, while Horn's work emphasizes traditional values. [10]
The song repertoire consisted largely of reconstructions of protest songs from the late 19th and early 20th centuries. In Łódź, "Warszawianka" was sung en masse during the celebrations marking the 110th and 111th anniversaries of the insurrection of 1905. In 2016, singing workshops for women were conducted during some Black Protest ...
January 21 – Women's March on Washington, estimated 500,000 protesters marched in the Nation's Capital (with over 1.3 million estimated marched across the United States), and another 3,200,000 marched across the world to promote women's rights, immigration reform, and LGBTQ rights, and to address racial inequities, worker's issues, and ...
The 1990s also saw a sizable movement of pro-women's rights protest songs from many musical genres as part of the Third-wave feminism movement. Ani DiFranco was at the forefront of this movement, protesting sexism, sexual abuse, homophobia, reproductive rights as well as racism, poverty, and war. Her "Lost Woman Song" (1990) concerns itself ...
At the time of the protest, women still did not enjoy many of the same freedoms and rights as men. Despite the passage of the Equal Pay Act of 1963, which prohibited pay discrimination between two people who performed the same job, women comparatively earned 59 cents for every dollar a man made for similar work. [4]
Formed out of the male-dominated music scenes of jam music (in the case of Bonnaroo), late-’90s indie rock (Coachella), and early ’90s alternative and grunge (Lollapalooza), these festivals tend to celebrate diversity while dismissing the most popular pop acts — the ones who tend to dominate the charts and who tend so often to be female ...
The first women's music festivals in the United States were founded in the early 1970s, starting with day festivals at the Sacramento State and San Diego State University campuses, the Midwest Women's Festival in Missouri, the Boston Women's Music Festival, and the National Women's Music Festival at the University of Illinois at Urbana–Champaign.