Search results
Results from the WOW.Com Content Network
Love and Psyche or Cupid and Psyche is an 1817 painting by Jacques-Louis David, now in the Cleveland Museum of Art. It shows Cupid and Psyche . It was produced during David's exile in Brussels , [ 1 ] for the patron and collector Gian Battista Sommariva .
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost ...
Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano (painter)Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and ...
Cupid Crowned by Psyche or Psyche Crowning Cupid is an oil-on-canvas painting executed ca. 1785–1790 by Jean-Baptiste Greuze, now in the Palais des Beaux-Arts de Lille.It shows a scene from the myth of Cupid and Psyche, with a figure of Modesty standing behind Psyche and two cupids in the background placing rose crowns on a bed and throwing incense on a tripod.
Cupid and Ganymede; Cupid and Psyche (Gérard) Cupid and Psyche (van Dyck) Cupid and the Graces; Cupid Complaining to Venus; Cupid Crowned by Psyche; Cupid Disarmed (Watteau) Cupid Making His Bow; The Cupid Seller (fresco) Cupid Untying the Zone of Venus
The "Marlborough gem", onyx cameo (Boston Museum of Fine Arts)The "Marlborough gem" is a carved onyx cameo that depicts an initiation ceremony of Psyche and Eros. [1]It is the most famous engraved gem in the extensive and prominent collection both inherited (through a marriage in 1762) and expanded by George Spencer, 4th Duke of Marlborough. [2]
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck.It is now in the British Royal Collection and shown in Kensington Palace. [1]One of the last works in van Dyck's oeuvre, it shows a marked influence of Titian and dates from his time as a court artist to Charles I of England.
The god Cupid would visit his lover Psyche only at night, and forbade her to look at him. The painting shows Psyche, seated at right in a white garment, waiting for her two sisters along with various nymphs at the palace of Cupid, where she shows the gifts she has received from her lover. The two envious sisters persuade Psyche to reveal her ...