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The Ethiopian New Year has a rich cultural history dating back to the days of Queen Sheba. In fact, the holiday's name is derived from a story about Queen Sheba's return to Ethiopia after a visit ...
Aster Aweke [ʔəsɨteɾɨ ʔəwək'ə] (Amharic: አስቴር አወቀ; born 1959) [1] is an Ethiopian singer-songwriter. Aster's voice has attracted broader public popularity, especially tracing back in 1990s singles and her single "Abebayehosh" in Ethiopian New Year. She is best known for her 1999 album Hagere and her 2006 album Fikir.
Later in the day, young girls donning new clothes, gather daisies and present friends with a bouquet, singing New Year's songs." [3] According to the Ethiopian Tourism Commission, "Enkutatash is not exclusively a religious holiday. Modern Enkutatash is also the season for exchanging formal new year greetings and cards among the urban ...
She further points out that Ethiopian music is not alone in shifting to electronically produced music, a point that Falceto acknowledges. [18] [19] Aster Aweke in 2012 concert tour. In the West, several bands were also created in recent years to play music inspired by the Éthiopiques series and other examples of Ethiopian music of the '60s and ...
The Paris-based world music record label Buda Musique began the Éthiopiques series in 1997 and initially compiled Ethiopian popular music releases from the 1960s and 1970s. Some of the subsequent CDs focus on traditional music , while others highlight individual musicians or specific styles.
He graduated in 1990, and by 1992, he had released his first two albums outside of Ethiopia amid increasing international fame. He also conducted many concerts and festivals in many countries, including the 2005 Enkutatash (Ethiopian New Year) celebration at the Addis Sheraton.He celebrates his 50 years journey on the music in 2013.
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
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