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Jodie finds some hidden tapes in Oupa’s garage and concludes that he was a pedophile who assaulted his own granddaughter. The initials on his dead body, T.S.C, are the initials of Tarrynlee Shaw Carter, one of the six missing girls abducted by Gert de Jager. Oupa is hinted to be the same cabinet minister against whom Gert de Jager witnessed.
Gerrit de Jager (born 1954, Amsterdam) is a Dutch cartoonist, and the creator of series including De familie Doorzon ...
Gert Jäger (Dresden, 13 May 1935) is a German translation scholar and a specialist in the Polish and Czech languages. After obtaining his Abitur in 1952, Jäger studied Czech studies, Polish studies, Russian studies, Serbo-Croatian and Lithuanian at Leipzig University, obtaining his degree in 1956. While holding several posts at the University ...
Its name La Gi or Lagi [laː˧˧:ɣi˧˧] in Kinh language was originated from ladik [1] [laː˧˧:ɗɨt˧˥] in Cham language, which means "swamp" to reflect the situation of this area before the 1960s. Under the Republic of Vietnam regime, La Gi was the provincial capital of Bình Tuy province (present-day
Cornelius Gerhardus van Rooyen (11 April 1938 – 15 January 1990), better known as Gert van Rooyen, was a South African paedophile and serial killer who abducted, sexually assaulted and murdered at least six young girls between 1988 and 1989. [1] He was aided in his crimes by a female accomplice, his mistress Joey Haarhoff. [1]
Võ Thị Thắng (10 December 1945 – 22 August 2014) was a Vietnamese revolutionary and stateswoman. She was a member of the Long An delegation to the National Assembly of Vietnam during its fourth, fifth, and sixth sessions (1975 to 1981).
Đám cưới chuột (Rat's wedding), a popular example of Đông Hồ painting. Ðông Hồ painting (Vietnamese: Tranh Đông Hồ or Tranh làng Hồ), full name Đông Hồ folk woodcut painting (Tranh khắc gỗ dân gian Đông Hồ) is a line of Vietnamese folk painting originating in Đông Hồ village (Song Hồ commune, Thuận Thành District, Bắc Ninh Province).
In Vietnam, the people played sáo when resting on the fields or before going to sleep at night. By the end of the 1970s, artists Đinh Thìn and Ngo Nam modernized the sáo by making this 6-finger-hole flute into 10-finger-hole flute, extending its register. [ 1 ]