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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The notes do not come in spelling order but are all adjacent (not separated by other notes). BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, op. 60, no. 4, mm. 1-3 [20] Play ⓘ. C and H are transposed down, leaving the spelling unaffected but changing the melodic contour.
Get ready for all of today's NYT 'Connections’ hints and answers for #553 on Sunday, December 15, 2024. Today's NYT Connections puzzle for Sunday, December 15, 2024The New York Times.
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
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