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  2. File:Minton Tobacco Jar and cover, coloured glazes majolica ...

    en.wikipedia.org/wiki/File:Minton_Tobacco_Jar...

    Minton_Tobacco_Jar_and_cover,_coloured_glazes_majolica,_1868,_naturalistic_in_style.jpg (450 × 600 pixels, file size: 66 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.

  3. Tin-glazed pottery - Wikipedia

    en.wikipedia.org/wiki/Tin-glazed_pottery

    Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.

  4. Majolica - Wikipedia

    en.wikipedia.org/wiki/Majolica

    English tin-glazed majolica. First shown at the 1851 Exhibition by Minton & Co., Exhibit Number 74. Potteries Museum, Stoke-on-Trent, UK. The notes in this article append tin-glazed to the word meaning 'opaque white tin-glaze, painted in enamels', and coloured glazes to the word meaning 'coloured lead glazes, applied direct to the biscuit'.

  5. Artisanal Talavera of Puebla and Tlaxcala - Wikipedia

    en.wikipedia.org/wiki/Artisanal_Talavera_of...

    There are only six permitted colors: blue, yellow, black, green, orange and mauve, and these colors must be made from natural pigments. The painted designs have a blurred appearance as they fuse slightly into the glaze. The base, the part that touches the table, is not glazed but exposes the terra cotta underneath. An inscription is required on ...

  6. Tin-glazing - Wikipedia

    en.wikipedia.org/wiki/Tin-glazing

    The unfired glaze absorbs the pigment like fresco, making errors difficult to correct but preserving the brilliant colors of the oxides when fired. The glazed and decorated vessels are returned to the kiln for a second firing, usually between 1000 and 1120 °C (the higher temperatures used by modern potters).

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