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The EMG 81 is a popular active humbucker guitar pickup manufactured by EMG, Inc. It is usually considered a lead pickup for use in the bridge position, paired with EMG's 85 as a rhythm pickup in neck position (Zakk Wylde is famous for this configuration). [1]
The P-90 (sometimes written P90) is a single coil electric guitar pickup produced by Gibson Guitar Corporation since 1946, as well as other vendors. Compared to other single coil designs, such as the Fender single coil, the bobbin for a P-90 is wider but shorter.
The Fender Wide Range Humbucker is a humbucker guitar pickup, designed by Seth Lover for Fender in the early 1970s. [1] This pickup was intended to break Fender's image as a "single coil guitar company," and to gain a foothold in the humbucker guitar market dominated by Gibson.
A humbucker, humbucking pickup, or double coil, is a guitar pickup that uses two wire coils to cancel out noisy interference from coil pickups. Humbucking coils are also used in dynamic microphones to cancel electromagnetic hum. Humbuckers are one of two main types of guitar pickups. The other is single coil.
The Fender Noiseless series is a line of electric guitar pickups made by the Fender Musical Instruments Corporation designed to cancel 60 cycle (Hz) hum noise while retaining the characteristic sound of single coil pickups. Introduced in 1998, these pickups consist of a pair of single coils stacked one on top of the other, compacted so as to ...
The Gibson Guitar Corporation introduced the "bar pickup" in 1935 for its new line of Hawaiian lap steel guitars. The pickup's basic construction is that of a metal blade inserted through the coil as a shared pole piece for all the strings.
The EMG 85 is a popular active humbucker guitar pickup manufactured by EMG, Inc. It is paired with the 81 in the Zakk Wylde signature EMG set. It was originally designed to be used in the bridge position but is typically installed in the neck position by modern guitar producers.
In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
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