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The most dramatic use of the night-time can be seen in the 1793 painting by Jacques-Louis David, called The Death of Marat, portraying the French revolutionary leader Jean-Paul Marat after his murder by Charlotte Corday. The night in paintings of the 19th century was used to convey a complex of diverse meanings.
Such was the case for 19th-century artist Chokha, who enjoyed making night paintings like Escapade at Night: A Nobleman Climbs a Rope to Visit his Lover. In that painting Chokha captures the tension of lover climbing several stories into a house with many people and a sleeping guard. Chokha also liked to capture twilight hunting scenes.
John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1] [2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
In the 19th century the Baroque fell into great disfavour, but it was revived from around the 1920s, by which time the art of the 18th and 19th century was largely disregarded. The High Renaissance , which Vasari regarded as the greatest period, has always retained its prestige, including works by Leonardo da Vinci , Michelangelo , and Raphael ...
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
Night in paintings may refer to: Night in paintings (Western art) Night in paintings (Eastern art) This page was last edited on 29 December 2019, at 14:32 (UTC). ...
Impressionism in music was a movement among various composers in Western classical music (mainly during the late 19th and early 20th centuries) whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". [1] "
The painting exemplified the art for art's sake movement – a concept formulated by Pierre Jules Théophile Gautier and Charles Baudelaire. First shown at the Grosvenor Gallery in London in 1877, it is one of two works (the other being Nocturne in Black and Gold – The Firewheel ) inspired by the Cremorne Gardens , a celebrated pleasure ...
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