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Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Early examples of sonata form resemble two-reprise continuous ternary form. [1] Sonata form, optional features in parentheses [2]. The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation.
Sonata Theory understands the rhetorical layout of a sonata as progressing through a set of action spaces and moments of "structural punctuation." [8] These action spaces largely correlate with the "themes" or "groups" of the sonata, though each space is differentiated primarily by the unique generic goal that the music pursues within that particular space.
Later in the first movement, the composer specifies that the soloist should play the music that is written out in the score, and not add a cadenza on one's own. Beethoven famously included a cadenza-like solo for oboe in the recapitulation section of the first movement of his Symphony No. 5.
It is considered a somewhat relaxed and discursive form. Thus, it is unsuited to an opening movement (typically the musically tightest and most intellectually rigorous movement in a Classical work). It is, exceptionally, used in the opening Andante movement of Haydn's D-major piano sonata Hob.
This movement is the most romantic in nature of the five, and it is roughly a variation of slow sonata ternary form without a development, although the traditional dominant-tonic recapitulation is abandoned for more distant keys, the first being in B ♭ major (the subdominant to F) and the recapitulation in D major (the parallel major to D ...
The first movement is in sonata form: after an introduction follows an exposition that ends with a repeat sign, a development, a recapitulation and a coda. The introduction is twenty measures long and marked "Adagio".
It continues with a melancholy second theme in A-flat major which builds up to the very majestic ending of the 1st movement's exposition. There is a turbulent development section, followed by a recapitulation of the two main themes, in slightly varied form and with the modulations altered to bring the second theme back in F major. The movement ...