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The Frimla is a sleeveless cropped waistcoat that originated in Algeria during the 19th century. It is a variation of the Algerian Ghlila. [1] [2] The Frimla is said to have clearly developed in Algeria before French presence. [1] Descending below the bust it features gold threads and large passementerie buttons. [1] [2]
Intricate relief patterns are characteristic of the technique. Twined knitting produces a firmer and more durable fabric with greater thermal insulation than conventional one-end knitting. [ 2 ] The technique has historically been used to knit mittens, gloves, socks, stockings, caps and sleeves for waistcoats.
Crochet hooks used for Tunisian crochet are elongated and have a stopper at the end of the handle, while double-ended crochet hooks have a hook on both ends of the handle. Tunisian crochet hooks are shaped without a fat thumb grip and thus can hold many loops on the hook at a time without stretching some to different heights than others (Solovan).
Girls' fashion for this time period imitated older women of the same period. Girls wore dresses of knee length, with trimmings at the hem such as lace and embroidery similar to women's lingerie dresses. Normally, black shoes or button up / lace up boots and woolen stockings went with the dress as well as kidskin or crochet gloves. Their hair ...
Crochet, embroidery, knitting, lace, quilting and felting are all commonly found in wearable art pieces. Crochet remained a homemaker's art until the late 1960s, as new artists began experimenting with free-handed crochet. This practice allowed artists to work in any shape and employ the use of colors freely, without the guidance of a pattern. [15]
Waistcoats sometimes even included embroidery or hand-painted designs. [3] At the same time, men began wearing the waistcoat apart from the totality of the three-piece suit and more casually with a variety of bottoms beyond the suit pant (khaki or jean). [21] Waistcoats can be double-breasted with buttons set in a horseshoe pattern.
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