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The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil.
Dhakaiya Urdu, sometimes unofficially referred to as Sobbasi Language or Khosbasi Language, is a Bengalinized dialect of Urdu that is native to Old Dhaka, Bangladesh.It is being spoken by the Sobbas or Khosbas community, Nawab Family and some other communities such as the Shia community of Old Dhaka.
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
The poem has also been used in the 2000 film, Dhadkan and the 2006 film, Rang De Basanti, being featured heavily for the track Lalkaar in the latter. The poem is also referenced in abridged form in the 2009 movie, Gulaal by Anurag Kashyap. [6] The poem has also been recently used in Ajay Devgn's 2021 film Bhuj: The Pride of India.
A shayar can use the maqta ' in a variety of interesting ways. He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu:
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...