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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [50]
The earliest mention of the fable is a brief reference in The Myrmidons, a lost tragedy of Aeschylus written in the 5th century BCE. Here it is said to be of Libyan origin and is generally supposed to refer to the personal blame felt by Achilles for the death of his friend Patroclus. [2] So the eagle, pierced by the bow-sped shaft, looked
A number of "remarkable" legends concerning the death of another of the three great Athenian tragedians are recorded in the late antique Life of Sophocles. According to one legend, he choked to death on an unripe grape. [21] Another says that he died of joy after hearing that his last play had been successful.
Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]
Aeschylus was not the first to write a play about the Persians — his older contemporary Phrynichus wrote two plays about them. The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians.
Later, during the contest of Achilles and Hector in the Iliad, [4] Zeus, weary from the battle, hung up his golden scales and in them set twin Keres, "two fateful portions of death"; this, then, is known as the kerostasia. [5] [3] Plutarch reports that Aeschylus wrote a play with the title Psychostasia, in which the combatants were Achilles and ...
2. I removed the reference to the Lammergeier, as it lends credibility to the surely apocryphal "death by eagle" legend. 3. In the "Works" section, I elaborated on Aeschylus' significant tendency (not shared by Sophocles or Euripides) to write connected trilogies, providing a brief catalogue of lost trilogies sugested by known play titles.
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...