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Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus' death. Aeschylus appears as a character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". [50]
Aeschylus responds with the river Spercheios, Death and two crashed chariots, each with a dead charioteer. Since the latter verses refer to "heavier" objects, Aeschylus wins, but Dionysus is still unable to decide whom he will revive, so he reveals the intent of his visit: to save the city of Athens , currently at the losing end of the ...
A small number of verses from these three of Aeschylus' lost works have been saved: fifty-four from Myrmidons, seven from Nereids and twenty-one from Phrygians. A sense of the pace at which additions to this corpus are made can be gleaned from the fact that a papyrus fragment containing seven letters on three lines that could be fitted over a two-line quote from Justin Martyr's dialogue Trypho ...
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Later, during the contest of Achilles and Hector in the Iliad, [4] Zeus, weary from the battle, hung up his golden scales and in them set twin Keres, "two fateful portions of death"; this, then, is known as the kerostasia. [5] [3] Plutarch reports that Aeschylus wrote a play with the title Psychostasia, in which the combatants were Achilles and ...
Aeschylus, in his lost tragedy The Myrmidons (5th century BC), assigned Achilles the role of erastes or protector (since he had avenged his lover's death, even though the gods told him it would cost him his own life), and assigned Patroclus the roles of eromenos. Achilles publicly laments Patroclus' death, addressing the corpse and criticizing ...
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Aeschylus, in Seven Against Thebes, assigns each of the Seven to one of the seven gates of Thebes, as do Euripides in The Phoenician Women, and Apollodorus. [33] While the names of the gates are similar among these sources, there is little agreement with respect to the assignments. Aeschylus further assigns a Theban defender to each gate. [34]