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In 1968, [16] the New York College of Music, which was an American conservatory of music originally founded in 1878 and located in Manhattan, [17] closed and merged with NYU, leading to the music department of the School of Education to serve both in its original capacity and as the spiritual continuation of the New York College of Music. [18]
Tisch also offers a selection of classes to NYU students not enrolled in any of its programs through the Open Arts curriculum. [11] The three institutes are: The Institute of Performing Arts, including the Art & Public Policy, Dance, Design for Stage & Film, Drama, Graduate Acting, Graduate Musical Theatre Writing, Open Arts, and Performance ...
In Fall 2013, Miller became a full-time faculty member at NYU, where he teaches courses in the business structure of the music industry, collective licensing and rights administration, music analytics and the capstone course on entrepreneurship, and serves as a clinical associate professor. [6]
The college provides an undergraduate liberal arts education through its Core Curriculum. Undergraduate students may select from 66 majors as well as a host of accelerated Bachelor's-Master's and pre-professional programs offered through 30 departments, many of which also offer courses at NYU's 13 study away sites.
Unlike the global research interests of the 1960s, goals in computational musicology in the 1970s were driven by accomplishing certain tasks. [3] This task driven motivation lead to the development of MUSTRAN for music analysis by led by Jerome Wenker and Dorothy Gross at Indiana University.
Music informatics, as a degree subject, offers a similar learning experience to music technology, but goes further into learning the principles behind the technology. [3] Informatics students will not just use existing music hardware and software, but will learn programming and artificial intelligence .
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Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.